In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society’s crime problem – but not all goes according to plan. (IMDb)
Alex: All at once a terrifying dystopian pirate, raping and pillaging with a song on his lips (I’ll never hear “Singin’ in the Rain” the same way again), and an amiable English lad. The film follows, as Kubrick mixes his visually searing scenes with the more mellow (see Alex’ prison admittance), all underneath an overwhelming classical soundtrack spiked by a sinister synth. Still within this emotional barrage is an intellectual commentary on free will and good and evil. A spectacle, to be sure.
#5 on my Top 10 Best Opening Credits/Sequences list