Rear Window (1954)

A unique isolated apartment setting, natural city soundscape, and cinematography firm in its limited “rear window” perspective aren’t enough to stir substantial interest during a slow first act, but when the note of intrigue strikes, they take on new brilliance, crafting a tight, authentic thriller with a mostly voice-less villain that gets you to spy and speculate right along with the great characters (the charming, restless Jeff and the refreshingly competent for the 50s Lisa and Stella).
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