Y’all, the 1666 portion here is badass (see the superbly scored scene with Sarah and Hannah in the chapel: “I don’t fear the devil.. I fear the mother who would let her daughter hang.. They want a witch? I will give them a witch”). The progressive twist on the previously told origin story is deliciously satisfying and retroactively adds some real beating-heart emotion and stakes to the trilogy, which is wrapped up nicely in the return to 1994, albeit without reaching the same emotional heights.