Ghostbusters: Afterlife (2021)

Clever lil’ goobers Phoebe and Podcast are incredibly endearing, and so is Paul Rudd’s lil’ Grooberson, and Wolfhard’s got his goofy teen thing going, and there’s gooey and hilariously homicidal marshmallows too, and ghosts and gunner seats, and it’s all just gobs of fun, though the character and setting-setting up first half works better than the second, where it feels like the all the good character work gets possessed and discarded by nostalgia and cameos and a big end-of-the-world plot.
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