The Batman (2022)

The plot and politics are a bit ? (the climactic jail confrontation could’ve been unpacked more) but everything else is !–the tunes (Nirvana and also the emotive, ever-present score), the turns, and especially the unique tone, with its sly layer of superhero cheese underneath the super-serious noir (see the heavy exposition between Batman and Gordon) and moody character study (see the bookending voiceovers). Great ending (see the rethinking of “I’m vengeance” and then the silent ride together).
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