Easter Sunday (2022)

Nice to see the Filipino representation on screen (the meta bow-tying with the TV show offer at the end was a nice touch), though you can tell lead Koy is more of a comedian than an actor (probably why the writers awkwardly shoved a stand-up routine into the church scene). The whiplash plot full of wacky family drama and wild crime action is handled surprisingly well, but is marred by a few cringey low-budget moments (see the poor sound editing during karaoke and obvious green screens).


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