Tenet (2020)

Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. (IMDb)
Couldn’t hear half the dialogue and only understood half of the rest, but it’s a testament to Nolan’s ambitious and undeniably exciting brand of filmmaking that I was on the edge of my seat throughout regardless: the espionage plot and sci-fi concept are both confusing but compelling, the action is brilliant, the technical aspects top notch. It’s a shame the only emotion is found in yet another Russian villain and a simply modernized damsel-in-distress (Debicki’s turn remains excellent though).
7.5/10 (Really Good)

Godzilla (2014)

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The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity. (IMDb)
Cranston’s passionate Joe Brody is a solid protagonist in the first act here but as the focus shifts to his son the film loses most of its emotional edge; Taylor-Johnson is wooden and Olson isn’t given much to work with. The monster/disaster plot is engaging, and it looks great (Godzilla’s dissonant piano-backed reveal is awesome) but without any interesting characters amongst the pure plot-movers (the military, the scientists), the film struggles to be more than just your typical monster movie.
6.5/10 (Alright)