With the ’70s behind him, San Diego’s top-rated newsman, Ron Burgundy, returns to take New York’s first 24-hour news channel by storm. (IMDb)
The bad: A recycled rise-fall-redemption plot, flimsy satire, and a painful new-love-interest side plot (Good’s bad turn doesn’t help). The good: All the ridiculous comedy of the first film is pushed to eleven. The news team still offers loads of great humour (see Ferrell’s blind bit), with the unpredictability of the nonsensical Brick in particular coming fast and furious, just like the outrageous plot-gags (see the shark adoption; bat-shit crazy cameo-loaded everything-loaded final brawl).
Ron Burgundy is San Diego’s top rated newsman in the male-dominated broadcasting of the ’70s, but that’s all about to change for Ron and his cronies when an ambitious woman is hired as a new anchor. (IMDb)
An unashamedly purely comedic endeavor; any deficiencies in film-making are pointless to talk about because every aspect of the movie exists entirely to generate laughs. Hilarious characters and dialogue (led by Ferrell’s boisterous Burgundy) and outrageous scenes of which only half contribute to the plot (see “Afternoon Delight” sing-along; violent news-team brawl) add to a continually running satire of male-centrism to produce a top-notch comedy that nails its humour scene after scene.