The Mummy: Tomb of the Dragon Emperor (2008)

Looks better than the last one, but the little humour from before is now completely gone (“You guys are like mummy magnets!” *crickets*), the plot is a complete rehash (just substitute a terracotta army for the dog army, and add in some yetis), and the added father-son dramatic thread falls flat on its face just like it did in Die Hard 5 (newcomer Bello isn’t great either). Some good fight choreography and one badass “revenge for the oppressed” speech at the climax are the only positives here.
3

The Mummy Returns (2001)

The script reaches new levels of ridiculousness (mummified pygmies, dog armies, a woefully neglected child), which bring with them new levels of cringe-worthy CGI (I nearly vomited in my mouth upon seeing the reincarnated Scorpion King) and green screen scenes (see the flight over Egypt, standing on the pyramid). Decent action/adventure set pieces and a few self-aware quips courtesy of the self-preserving Uncle Jon (“Ah, the old ‘wipe out the world’ ploy”) keep this from being a total wreck.
3

The Mummy (1999)

Cheesy, in some bad ways and some good ways: The opening historical background sequence is just horrendous in its melodrama, dated CGI, and outlandish “Egyptian” costumes, and these things occasionally pop up again, but the over-the-top characters (see Weisz’ awkward British lass, the trigger-happy, bourbon-drinking Americans) and goofy sense of humour (“You probably won’t live through it” *happily* “You really think so?”) combines well with the spooky adventure tale for an overall fun watch.
5

Journey to the Center of the Earth (2008)

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On a quest to find out what happened to his missing brother, a scientist, his nephew and their mountain guide discover a fantastic and dangerous lost world in the center of the earth. (IMDb)
I got a jolt of giddiness when Trevor starting reading the cryptic notes in Verne’s novel, setting up the adventure to come, but unfortunately, the execution falls flat on its face: Besides the science being under-explained and far-fetched, the action scenes are childish and riddled with cheesy CGI, and the downtime is full of lame one-liners (“Welcome to the 21st century”), bland sentimentality (the kid-conflict is resolved after one scene), and shoddy acting (kid Hutcherson especially).
3.5/10 (Awful)