Unicorn Store (2017)

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A woman named Kit receives a mysterious invitation that would fulfill her childhood dreams. (IMDb)
A little unevenly constructed at points, and at others a bit too on the nose (horn?), but like quirky Kit and her krafty kaboodle, it’s mostly just wonderfully, colourfully odd, humourous, and heartwarming (see the fantastic vac presentation with her adorable two sidekicks), with an interesting ending that adds some nuance to the creativity/individuality/child-like-ness vs. conformity/uniformity/grown-up-ness theme throughout. Larson and Athie have lovely chemistry and the music’s great too.
7/10 (Good)

 

Kong: Skull Island (2017)

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After the Vietnam war, a team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden. (IMDb)
Nails that classic adventure movie-feel with its anticipation-building, crew-collecting first act, the dual-jungle trip suspense of the second, and awesome monster action that culminates in a wild third act. The cool aesthetic with its clever scene cuts, slow motion, and classic rock soundtrack only ups the fun factor. The characters are one-note but they’re all you need for this kind of romp (though the surprisingly touching end credits with Reilly’s hilarious Marlow adds a nice bonus arc).
7.5/10 (Really Good)

 

Avengers: Endgame (2019)

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After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to undo Thanos’ actions and restore order to the universe. (IMDb)
From the devastating opening scene to the goosebump-inducing climactic action sequence, the scope and spectacle here will blow you away. Rich with humour (Thor and Ant-Man are highlights but even stoic Cap hass his moments), emotion, and inside references, it brings the MCU to a remarkable climax and resolve. After the blockbuster-high wears off some issues emerge (the main plot concept is severely underexplained; some characters are–understandably–neglected), but it remains a monumental film.
8.5/10 (Amazing)

 

Captain Marvel (2019)

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Carol Danvers becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. (IMDb)
Its CGI is just okay and it’s a little awkwardly scripted at times but its great humour, story, and lead sweep these concerns to the side. A truly surprising perspective shift along with a few Marvel-ous moments of self-actualization (see the tear-jerking “get back up” montage; “you guys have just been holding me back!”) are the highlights of a layered, emotional journey of discovery through past and present (with hints of the MCU future of course) with Carol and her enjoyably dry wit.
7.5/10 (Really Good)

21 Jump Street (2012)

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A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring. (IMDb)
Takes an already funny buddy cop comedy (Hill and Tatum have excellent chemistry–see their bungled opening arrest, tearful final triumph) and goofy high school flick (jock Jenko with the nerds is a highlight thread) and adds a thick layer of sharp satire to the tropes from both (see the millennial update of high school), and even to itself as a film (“37 Jump St… No, that doesn’t sound right”), making for a wholly entertaining experience from its 2000s flashback beginning to “Die Hard” end.
8/10 (Great)