Promising Young Woman (2020)

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A young woman haunted by a tragedy in her past takes revenge on the predatory men unlucky enough to cross her path. (Letterboxd)
A fascinating mix of (butt)cheeky feminist satire, incredibly tense vigilante thrills, and complex character drama (Mulligan chews licorice and scenery). Questions of justice and forgiveness are tackled at each level within an unpredictable, detailed narrative (see the contrast in address-procuring between Jordan and Ryan). Not everything works (Ryan’s turn felt a bit unfounded; just the “happy” wedding would have been a more impactful ending) but the whole remains compelling. Great soundtrack.
7.5/10 (Really Good)

Wildlife (2018)

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A teenage boy must deal with his mother’s complicated response after his father temporarily abandons them to take a menial and dangerous job. (IMDb)
Beautifully made, from haunting score to poignant cinematography, impeccable turns to superb script that always knows when to talk and when to not, with a great three-act story shifting through a poor kid lens the focus from volatile dad to selfish mom to post-fire aftermath (the lack of repercussions for the porch incident is the only flaw here). Its picture-near-perfection actually holds it back a bit though; the aching drama of the narrative could’ve benefited from a bit more grit and shake.
8/10 (Great)

 

Mudbound (2017)

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Two men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjusting to life after war. (IMDb)
There’s a billion different plot threads here over a years-long time span but the potent mixture of blood (see Jamie and Ronsel’s harrowing experiences abroad and at home), sweat (see the farm work scenes throughout), tears (see Laura’s breakdown), and mud (see the gritty landscapes) adeptly sticks them all together to form a powerful meditation (literally–see the multi-perspective narration throughout) on the poverty and racism of rural 40s Mississippi. Strongly acted, shot, and directed.
8.5/10 (Amazing)

Inside Llewyn Davis (2013)

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A week in the life of a young singer as he navigates the Greenwich Village folk scene of 1961. (IMDb)
Lovely tunes and pleasant soft cinematography are just bonus additions to what is a superbly nuanced (and acted) character study: Llewyn is talented but pretentious, caring but bitter, witty but mean. He’s hard-luck but hard to like; half the time life hits him hard, half the time he seems to bring it on himself. Fleshed out by a perfect secondary cast of various characters, the film nonchalantly but intentionally presents a neutral take on the settling down vs. pursuing your dreams dichotomy.
8.5/10 (Amazing)

Drive (2011)

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A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor. (IMDb)
Smoothly moves without leaving a character behind or strings untied from a subtly spun protagonist set-up (the quiet Driver is ever intriguing) with budding romance to a bloody crime/revenge drama spiked with shocking violence. Add to that an equally cohesive aesthetic of a moody city setting slickly portrayed (see the crossfade transitions, scrumptious slow motion shots under a gorgeous synth soundtrack) and unique scene edits (see the final confrontation) and the film packs quite the punch.
9/10 (Amazing)