Thor is imprisoned on the planet Sakaar, and must race against time to return to Asgard and stop Ragnarök, the destruction of his world, which is at the hands of the powerful and ruthless villain Hela. (IMDb)
Thor is released from his cheesy-golden-Viking realm (“Asgard is not a place, it’s a people”) to super fun results: Hemsworth oozes goofy charm (“No, I won. Easily”) and serves as a solid lead for the fast-paced script. An eclectic supporting cast (the amiable Kiwi Korg and goofy Grandmaster are comedy gold-blum), fun cameos, a suitably intimidating villain, and just the right amount of trope subversions (see the opening scene) amidst the serious moments (see Loki’s final catch) fill it out.
Famed archaeologist/adventurer Dr. Henry “Indiana” Jones is called back into action when he becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls. (IMDb)
A classic straightaway action sequence is followed by a great plot set-up that introduces an enjoyable new sidekick (LaBeouf’s greaser) while offering some rambunctious initial fun (see the bar escape; motorcycle chase; Ford’s library one-liner) in a glossed-up 50s Americana setting. The adventure only gets amped up from there, but obvious CGI often brings it down (see the jungle sequence), and the increasingly ridiculous sci-fi plot certainly doesn’t help matters. Still an entertaining watch.
A meek hobbit of the Shire and eight companions set out on a journey to Mount Doom to destroy the One Ring and the dark lord Sauron. (IMDb)
The mix of breathtaking bird’s eye pans and intense facial close-ups here showcase a layered tale that’s as much of a heartfelt character drama as a grand fantasy epic, with as many internal battles as external ones, and pleasant bits of humour from the homey hobbits sprinkled amongst the haughty and thick war talk that keep the narrative from melodramatic cliches. Excellent acting, music, and time-tested special effects ensure that this wonderful story’s film adaptation won’t soon be forgotten.
#9 on my Complete Film Rankings list
With a plan to exact revenge on a mythical shark that killed his partner, oceanographer Steve Zissou rallies a crew that includes his estranged wife, a journalist, and a man who may or may not be his son. (IMDb)
Visually, a delight (clashing underwater animation aside), with its meticulously crafted sets, distinct costumes, and cheeky screenplay (lots of incidental eating) captured by beautifully-framed shots. This marvelous aesthetic is complimented nicely by a mellow soundtrack (Jorge is great) and excellent deadpan humour. The dry script delivery doesn’t work as well with the drama–it mostly fails to engage, despite great turns from Murray and Blanchett–but a moving climax helps to entrench it a bit.