The Madagascar animals join a struggling European circus to get back to New York, but find themselves being pursued by a psychotic animal control officer. (IMDb)
More entertaining than ever: The increased “fish out of water” animals vs. humans antics make for loads of hilarious action set pieces (see the insane truck then plane escape from Monte Carlo), the goofy one-off bits are taken to another level (see DuBois’ rousing French song; Rock’s gut-busting Afro-circus bit), and the new circus setting provides two infectious feel-good musical numbers. The plot, meanwhile, continually takes wonderfully unexpected turns (see the poignant return to the zoo).
The animals try to fly back to New York City, but crash-land on an African wildlife refuge, where Alex is reunited with his parents. (IMDb)
Starts off a little rough with a cheesy flashback, yet another rendition of “Move It” (enough already), and a contrived four-fold character-growth set-up in a far-fetched multi-animal tribe, but the penguins keep you engaged (I’ll never tire of their hijinx) and the adventure plot sparked by a touching Alex-Marty moment picks things up with a number of memorable scenes both hilarious (see Julian’s sacrifice bit; the Penguins’ union negotiations) and moving (see the father-son dance diversion).
A priest of a small congregation in upstate New York grapples with mounting despair brought on by tragedy, worldly concerns and a tormented past. (IMDb)
A devastating near-masterpiece. There were two questionable moments–that trip through nature, and the final exchange (both a happy and a sad ending could’ve been powerful, but this was just cliche)–but they’re outweighed by the loaded theological pondering, the hopeless expose of environmental destruction and religious evils (see the contrast of the celebration plans with everything else), and the resulting descent into despair and anger that envelops the viewer. Wonderfully acted and shot.