“You look out of breath!” Tell me about it. “Well, it looks like you just watched a comedy where the jokes came with the frequency and intensity of a taut thriller.” You can say that again. “You look like you just watched a comedy where the jokes came with the frequency and intensity of a taut thriller.” Tell me about it. Poehler and Paul head up a pitch-perfect parody parade with endless energy, bite (“Whatthefuckareyousaying?”), and genuine chemistry on display. “Hey Joel?” Yeah? “Thanks.”
Midway through Jack mentions how he’s not used to working with other people and that speaks for the film too, particularly with the addition of Turner–it’s a bit of an awkward pairing that often undermines her supposedly strong character (it’s still always Jack saving the day). Snarky and smart Sam is a better fit, fortunately (the climactic tie-in was great and yeah, I cried at the embrace). The investigative plot does its job once again, with an engaging fugitive angle added this time around.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier. (IMDb)
Certainly more ambitious than the original, though not perfect: The titular character is given hints of nuance (“What makes you happy?” “I don’t know”), as is the mysterious Fury (finally) but both remain underdeveloped; The Winter Soldier is a formidable opponent and the SHIELD internal drama adds some complexity to the antagonism, but both the villain reveal and the Hydra twist feel far-fetched and a little dumb. Above criticism though, is the fantastic action choreography found throughout.