Through a series of freak occurrences, a group of actors shooting a big-budget war movie are forced to become the soldiers they are portraying. (IMDb)
Occasionally slips into lackluster-ly standard low-brow humour (dancing aside, Grossman is a bit much, and so was Kirk and Tugg’s convo about Simple Jack), but the satirical meta-movie framework that pervades the film offers loads of laughs, from the uproarious opening trailers, news clips, and initial action sequence (the first act was definitely the best) to the ongoing naivety of Stiller’s action star and stubbornness of RDJ’s method actor as contrasted with Baruchel’s earnest Kevin.
On his latest expedition, Dr. Rick Marshall is sucked into a space-time vortex alongside his research assistant and a redneck survivalist. In this alternate universe, the trio make friends with a primate named Chaka, their only ally in a world full of dinosaurs and other fantastic creatures. (IMDb)
I think it was when Rick, Will, and their ancient primate friend Chaka are chilling in a motel pool in the middle of a dinosaur-populated desert getting high off a weird jungle fruit that I realized this movie was actually kind of good, with its zany mix of campy 50s-esque sci-fi (see the actors in alien suits) and raunchy comedy (Ferrell’s pee-drinking scene had me in stitches), not to mention a few instances of surprisingly appealing visuals (the “cosmic lost and found” scenes especially).
A sausage strives to discover the truth about his existence. (IMDb)
The puns are okay, but the creative anthropomorphic food premise is funniest in its extreme plays on humanity’s physical aspects; namely, death (see the flour shell-shock scene, kitchen massacre) and sex (see the outrageous ending orgy). It swings and misses everywhere else, moving from a promisingly hilarious opening musical number to a swear-overloaded script with nary a clever joke, and a religion-related thesis just as lacking in subtlety. The meta-ending also felt silly and unnecessary.
The celebrities-playing-themselves bit definitely provides some good laughs; funny scenes are made funnier because it’s Jay Baruchel being made fun of, not a character, for example. The six leads are all in good form and the other cameos are solid as well. The outrageous apocalypse plot serves as a good backdrop for the humour but as the story progresses and quasi-religious elements begin to enter the mix, it starts to feel much too silly, tainting an otherwise decent comedy.