One year after outwitting the FBI and winning the public’s adulation with their mind-bending spectacles, the Four Horsemen resurface only to find themselves face to face with a new enemy who enlists them to pull off their most dangerous heist yet. (Letterboxd)
Whyyyeye must there be a second twist at the end again? It’s not a good thing if it’s unfounded and ruins all the fun that came before and NO ONE CARES ABOUT THE EYE THING. The first twist with the plane also isn’t great cuz you know it’s coming and they explain it to death. Also, is it just me or does Mark Ruffalo’s character NOT look like a Dylan? Lots of specific complaints here cuz it’s just more of the same, though that goes for the good stuff too (that card-throwing heist was pretty cool).
An FBI agent and an Interpol detective track a team of illusionists who pull off bank heists during their performances and reward their audiences with the money. (Letterboxd)
The end sucks, not just because the twist is nonsensical (flashbacks of the person in a hoodie “there the whole time” isn’t enough explanation), but because the dumb carousal final scene leaves behind the cool Robin Hood-esque motivations of the team for some lame secret club idea–and the cocky characters already weren’t that likeable. Magic and heists are fun though, and fortunately that makes up most of the movie, making it fully watchable when the camera isn’t making you dizzy.
A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring. (IMDb)
Takes an already funny buddy cop comedy (Hill and Tatum have excellent chemistry–see their bungled opening arrest, tearful final triumph) and goofy high school flick (jock Jenko with the nerds is a highlight thread) and adds a thick layer of sharp satire to the tropes from both (see the millennial update of high school), and even to itself as a film (“37 Jump St… No, that doesn’t sound right”), making for a wholly entertaining experience from its 2000s flashback beginning to “Die Hard” end.
Two co-dependent high school seniors are forced to deal with separation anxiety after their plan to stage a booze-soaked party goes awry. (IMDb)
Hill’s uninhibited diatribes and Cera’s patented awkwardness highlight relatable high-school comedy here that soon explodes into a wildly eventful booze-filled, sex-inspired Friday night romp with hilarious one-off characters and a juicy side-plot featuring two drunk cops and the unforgettable “McLovin”. To the film’s added benefit, hints of mature teen-culture commentary are subtly laced throughout the raunchy humour, coming to the forefront in a surprisingly mellow and endearing final scene.
7.5/10 (Really Good)