On first blush it’s nicely crafted but its one compelling arc (Rick’s disillusionment/friendship with Cliff) is squashed by a bevy of boring referential scenes disconnected from the shocking but empty climax. Upon closer inspection, many delightful details emerge to reveal a fascinating web of narratives meta-commenting on storytelling and identity–yet they also make plain the film’s ugly misogyny, misguided revisionism, and gross glorification of cowboy violence, especially in the climax.
6
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