Don’t know what everyone’s babbling about half the time but it’s able to coast on its sharp editing and performances in the dia(not mono)logue scenes (see the excellent back and forth at the b-day party). Mank’s journey through the shifty politics of movie studios in the 30s is much more interesting than the process of his screen-written response to it later though (especially when the connections aren’t always clear), so the film would’ve done better to just make the flashbacks the whole movie.
5