A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South. (IMDb)
The film’s attempts to address racial issues are flimsy, formulaic, and awkward, but when it focuses on the positively hilarious and often heartwarming odd couple dynamic of the crass but warm blue-collar Tony and the classy yet aloof Dr. Shirley, it succeeds (see the chicken-eating, letter-writing), though considering Tony’s relatively flat arc, the latter should’ve been the lead (see his speech on identity in the rain and hints of a troubled backstory that receive no further treatment).
7/10 (Good)
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