Here we see our hero at his most anxious and out of control (see his panic attacks, bedside suit scare) but also his most focused and angry (see his workshop insomnia, challenge to the Mandarin); at his most technologically dazzling and powerful (see his army of suits in a great final action scene), but also back to his most humble creative roots (“I’m The Mechanic”). This strong climactic characterization, coupled with a brilliant turn (x2) by Kingsley makes for the best film in the MCU so far.
As corruption grows in 1950s LA, three policemen – one strait-laced, one brutal, and one sleazy – investigate a series of murders with their own brand of justice. (IMDb)
A classy 1950s-set crime drama with a focus on the cops instead of the criminals-or are they the same thing? Corruption abounds in this intricately written neo-noir that showcases the shady schemes found on both sides of the law. The three-pronged set of policemen protagonists and their distinct character arcs give the narrative a uniquely varied and diverse perspective, although the emotional impact that can be garnered from a single character focus is lacking, despite the hints at backstories.
7.5/10 (Really Good)