Its central conceit (“From womb to tomb, we are bound to others. Past and present”) and thesis (“by each crime and every kindness, we birth our future”) resonate, but marring the former’s clever edits and easter eggs are some discomforting cross-racial transformations and one can’t help but wonder if the thrust of the latter would’ve been stronger with a chronological narrative. As it is, some stories sit better than others (Ewing’s white saviour arc underwhelms; Cavendish’s caper is a hoot).
Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy’s 100th birthday, only for the gift to be stolen. (IMDb)
Keeps the cute British humour of the first film, with another delightful villain and some added Wes Anderson-esque flair (see the opening character updates; prisoners’ introductions), and within this quirky framework floods you with overwhelming emotion (see the lovely tie-in of Mary’s training at the climax, and of course that beautiful bear with the most selfless of souls showing the radical power of kindness: Knuckle’s first taste of marmalade was his first taste of love and I’m sobbing).