The Matrix Revolutions (2003)

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The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith. (Letterboxd)
There’s a lot of stuff packed into this plot and it’s hard to make sense of it all, but as a trilogy finale it has a satisfying amount of fittingly epic highs and lows (see the grueling battle for Zion, ominous and lonely lovers’ mission to the Machine City, the unique climactic deal and defeat) to go with its hit or miss philosophical quips (Agent Smith’s frustrated post-fight speech was a highlight: “You can’t win. It’s pointless to keep fighting. Why, Mr. Anderson? Why? Why do you persist?”).
7/10 (Good)

The Matrix Reloaded (2003)

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Freedom fighters Neo, Trinity and Morpheus continue to lead the revolt against the Machine Army, unleashing their arsenal of extraordinary skills and weaponry against the systematic forces of repression and exploitation. (IMDb)
It’s slow to load, with its first half marred by lifeless fight scenes (see the Chinatown fight which Neo just leaves after a while) and too much talking about who knows what (see the convos with the Oracle, Hamann), not to mention that over-indulgent dance/sex scene. On the freeway things pick up speed; the chase sequence is incredible and the final talk actually lands some philosophical punches (see Morpheus’ wind knocked out: “I have dreamed a dream, but now that dream has gone from me”).
7/10 (Good)

The Matrix (1999)

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Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth. (Letterboxd)
A few glitches (some dated VFX, a cheesy romantic arc), but nothing major to make me not want to take the blue pill and escape my reality for a couple hours. The simple premise is juicy steak-scrumptious (see the breathtaking first wake-up scene), and the script walks with sunglasses-cool perfection the line between fun action movie and philosophical sci-fi laced with emotion (see pre-rescue: “[He] believes in something.. I understand that now.. because I believe I can bring him back”).
8/10 (Great)

Captain America: The First Avenger (2011)

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Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a “Super-Soldier serum”. But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization. (IMDb)
The small (literally) beginnings of our hero (even post-serum, with his initial stint as a propaganda star) are uniquely compelling, and along with its gritty WWII setting, help create a welcome down-to-earth vibe for the first act. What follows is more of a mixed bag, with the villain throwing in some cheesy sci-fi, and the fantastic action sequences starting to ring a little hollow after he is never allowed any victory. A completely unexplained deus ex machina doesn’t end things well.
7/10 (Good)