From the devastating opening scene to the goosebump-inducing climactic action sequence, the scope and spectacle here will blow you away. Rich with humour (Thor and Ant-Man are highlights but even stoic Cap hass his moments), emotion, and inside references, it brings the MCU to a remarkable climax and resolve. After the blockbuster-high wears off some issues emerge (the main plot concept is severely underexplained; some characters are–understandably–neglected), but it remains a monumental film.
A small group of former classmates organize an elaborate, annual game of tag that requires some to travel all over the country. (IMDb)
The goofy premise is a lot of fun, providing its share of incredulous comedy and wacky slapstick (Renner’s inner-voiceovers a la RDJ’s Sherlock Holmes were hilarious; see especially the AA attack), and the characters are all funny (stoner Chilli was a personal fav) and have great chemistry. More than that though, they both work together to spark interesting discussion on adult friendship, ethics in competition, and the value of play, leading to a moving final scene (the soundtrack was perfect).
Ethan and team take on their most impossible mission yet, eradicating the Syndicate – an International rogue organization as highly skilled as they are, committed to destroying the IMF. (IMDb)
A ridiculous, fantastic opening sequence with Cruise’s all-in-all-the-time Hunt (“I’m not in the plane, I’m ON the plane!”) sets the stage for another wonderful batch of thrilling action that is just so insane and entertaining and well-made that you often forget what the plot is in the midst of it-and this time around the plot has its moments of deeper intrigue and character nuance (Ilsa’s a nice addition here, sans those gratuitous bod shots) like M:I 1, so it’s not like that’s not saying much.
The IMF is shut down when it’s implicated in the bombing of the Kremlin, causing Ethan Hunt and his new team to go rogue to clear their organization’s name. (IMDb)
The stunts and sequences are even better than that of its stellar predecessor (see the hotel con and climb, insane parking garage fight), but the characters are not (Pegg’s comic relief aside) and the main plot starts to get a little silly, morphing into a bit of a cliche end-of-the-world deal complete with Euro villains. To its credit, it does embrace some of its ridiculousness (see Hunt’s failed “Mission accomplished!”). Not to its credit are the terrible placecards (Verdana of all fonts??).
Great action? Sure. But the civil war premise behind half of it is terribly constructed. The initial point of tension was decent but certainly didn’t warrant an all-out brawl (the banter in the airport showdown just proved how dumb it was) and it developed into a misunderstanding that could’ve been resolved just with a good conversation instead of a near to-the-death fight (you were friends, right?). Like, the bad guy just said he wanted you to fight each other. Truly a stupid superhero movie.
A linguist is recruited by the military to assist in translating alien communications. (IMDb)
The “communication” thematic perspective is refreshingly down-to-earth (nailed it) for an alien flick, but a mid-movie voiceover somewhat mars its thoughtful slow pace, its human-human angle feels a little forced, and the rash rebel interruption is unfounded, not to mention cliche. Small flaws aside, this remains a smart and exquisite-looking sci-fi with a memorable final act, as the bits of Louise’s emotional backstory are masterfully eased into the forefront, unraveling a stunning twist.
Another healthy dose of enormous and entertaining action make this a fun film to watch in spite of its mostly lazy writing (see Wanda and Pietro’s weak antagonist motivations–and Ultron’s, for that matter–and correspondingly cheap turn; the half-baked Hawkeye development; the far-fetched and only vaguely explained bad guy antics), with the aid of one well-timed bit of self-awareness: “The city’s flying, we’re fighting an army of robots, and I have a bow and arrow. None of this makes sense.”