Pacific Rim: Uprising (2018)

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Jake Pentecost, son of Stacker Pentecost, reunites with Mako Mori to lead a new generation of Jaeger pilots, including rival Lambert and 15-year-old hacker Amara, against a new Kaiju threat. (IMDb)
For a big action sci-fi, the robot vs. monster scenes are probably actually the worst part thanks to lackluster CGI and repetitive fights. Normally this would be fatal for a film of this ilk, but the plot, while not amazing, has its moments (see the effective opening world set-up, sinister Shao Corp. and twist), and I actually liked the character work this time around: Boyega’s engaging central turn makes for a likable lead and wild-eyed Newt and newbie Amara are notable supporting characters.
6.5/10 (Alright)
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Star Wars: The Last Jedi (2017)

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Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares for battle with the First Order. (IMDb)
It was the cons I was thinking about when I left the theatre–the jumble of rollercoaster plot threads and tones, the bloated run-time, the sometimes cheesy dialogue (“Every word in that sentence was wrong”)–but it’s the pros that have been popping up for me ever since: The fantastic female representation, the fascinating relationship between pro- and an-tagonist, and the bold (often fourth-wall) subversions of tradition and expectations (see Yoda’s lightning, Poe’s humbling, Rose’s save).
7/10 (Good)

Star Wars: The Force Awakens (2015)

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Three decades after the Empire’s defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance’s search for the missing Luke Skywalker. (IMDb)
Self-sufficient Rey (“I know how to run without you holding my hand!”), nervous and naive Finn (“Stay calm” “I am calm” “I’m talking to myself”), and moody Kylo Ren (“I’m being torn apart”) make up a fresh and engaging trio of central characters (Poe was excellent too, just needed more screen time) that carry the film in spite of the weak plot and sometimes wooden returning characters. Great action, good pace, and surprisingly funny (“How do we blow it up? There’s always a way to do that”).
7.5/10 (Really Good)