Tenet (2020)

Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. (IMDb)
Couldn’t hear half the dialogue and only understood half of the rest, but it’s a testament to Nolan’s ambitious and undeniably exciting brand of filmmaking that I was on the edge of my seat throughout regardless: the espionage plot and sci-fi concept are both confusing but compelling, the action is brilliant, the technical aspects top notch. It’s a shame the only emotion is found in yet another Russian villain and a simply modernized damsel-in-distress (Debicki’s turn remains excellent though).
7.5/10 (Really Good)

BlacKkKlansman (2018)

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Ron Stallworth, an African-American police officer from Colorado, successfully manages to infiltrate the local Ku Klux Klan with the help of a white surrogate, who eventually becomes head of the local branch. (IMDb)
Jarringly constructed but–often as a result–always compelling: Great soundtrack and creative cinematography in tow, both director and protagonist “infiltrate hate,” at times with deathly seriousness and scathing condemnation and at others simply laughing in its face. True to its rollercoaster form, the devastating coda makes it clear that the undercover mission’s far from over (and possibly casts doubt on its effectiveness) but the gorgeous early dance scene provides a vision of a happy ending.
8/10 (Great)