A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it’s all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him. (IMDb)
So, Berry shows off her bod, Travolta’s got blonde highlights, and Jackman looks like the sixth member of N’Sync: Not necessarily fatal to taking the film seriously but it says something that they’re almost the only things I remember aside from a couple good bad-guy monologues, one cool scene where a bus dangles from a helicopter, and one cheesy montage of our hacker protagonist dancing to funk while talking to his computer. A mildly entertaining action thriller, but it’s both dated and generic.
The lives of two mob hit men, a boxer, a gangster’s wife, and a pair of diner bandits intertwine in four tales of violence and redemption. (IMDb)
It’s dark and bloody yet ridiculous and hilarious, and subtly clever too, as drugs, guns, and endless expletives are laced with the randomly mundane–the toaster strudels, the cheeseburgers, the radio-friendly soundtrack-and a melodramatic short-term plot takes intriguing deja vu turns. With plenty of outrageous dialogue (Jackson and Travolta are gold), black comedy (see the Wolf’s cover-up), and off-kilter characters (Willis is another gem), Pulp Fiction has no trouble living up to its name.
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity of a ruthless terrorist. But the plan backfires when the same criminal impersonates the cop with the same method. (IMDb)
Cage and Travolta are both fantastic in their respective dual roles (each especially as the crazy Castor) in this cop vs. killer flick with a really cool (albeit far-fetched) identity switch twist. The main premise is mined for all its worth in a script loaded with delicious scenes of deception, but the intriguing character drama is tainted by a thin plot and an overload of excessive gun fights and action sequences: The resultant film teeters between unique thriller and typical action movie.
A relatively enjoyable feel-good rom-com. A few chuckles, a few heartfelt moments, a few swings and misses. The whole talking baby gag is almost a distraction because of how it pops in and out of the script, but it provides some fun moments. Overall, nothing spectacular, but Alley, Travolta, and Willis are all solid.