Nope (2022)

Its pacing feels sluggish throughout, and when you combine that with a script that has more subtext than plot points, it makes it difficult to get into the unique sci-fi thrills despite great turns, visuals, and sound design. Still, the rich and fascinating themes (Hollywood spectacle and its connections to money-making, animal treatment, and the Black experience) and many fun details of the UFO-B-movie/creature feature/neo-western vibes keep it flying around in your head well after the credits.

Us (2019)


A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them. (IMDb)
Peele’s direction is stellar–so is Nyong’o–and is tailor-made for horror, with its patient camera, stunning visuals, and poignantly mischievous flair (see the unique use of pop songs that adds an unsettling realism to the gory thrills). The writing is equally compelling, but with hiccups: The surprising humour is good but often punctures the mood, and the fascinating social subtext (see Red’s amazing fireplace speech) comes to a slightly muddy (though still thought-provoking) climax.
7.5/10 (Really Good)