Miles Morales becomes the Spider-Man of his reality and crosses paths with his counterparts from other dimensions to stop a threat to all reality. (IMDb)
Despite its meta, self-aware take on the hero origin story it still feels a little too familiar by the classic big-explosion end (a different use of the shoulder-tap with the tragic villain would’ve helped). That said, it nails its humour and pace (though the Uncle Aaron twist is under-explained), and Miles is a refreshing lead for the old coming-of-age arc. More significant than anything though, is the fantastic animation (the action sequences are amazing) and unique comic book-esque flair.
A husband-and-wife team play detective, but not in the traditional sense. Instead, the happy duo helps others solve their existential issues, the kind that keep you up at night, wondering what it all means. (IMDb)
A few odd (literally) instances aside (see the mud sex), it maintains a perfect balance between quirky existential comedy (the philosophy also nicely rejects the extremes) and relatable drama, as wildly memorable dialogue-packed scenes (see dinner at Steve’s) craft numerous brilliant character arcs (Dawn’s epiphany is hilarious; Schwartzman’s on the lawn poignant), boosted by outstanding turns (see Law’s face listening to the joke recordings; Wahlberg’s petroleum rants). Nice soundtrack, too.