T’Challa, the King of Wakanda, rises to the throne in the isolated, technologically advanced African nation, but his claim is challenged by a vengeful outsider who was a childhood victim of T’Challa’s father’s mistake. (IMDb)
The people, sets, and costumes of the fascinating Wakanda are a fantastic breath of fresh air, and the supporting characters especially (Nakia, Okoye, Shuri) all beg for further fleshing out. As an action film it worked better with Serkis’ simpler villain (see the awesome South Korea sequence) than Jordan’s more complex one, as the good vs. evil nuances he introduced deserved a slower drama instead of a sudden civil war and typical superhero climax (though the epilogue was of course touching).
Three decades after the Empire’s defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance’s search for the missing Luke Skywalker. (IMDb)
Self-sufficient Rey (“I know how to run without you holding my hand!”), nervous and naive Finn (“Stay calm” “I am calm” “I’m talking to myself”), and moody Kylo Ren (“I’m being torn apart”) make up a fresh and engaging trio of central characters (Poe was excellent too, just needed more screen time) that carry the film in spite of the weak plot and sometimes wooden returning characters. Great action, good pace, and surprisingly funny (“How do we blow it up? There’s always a way to do that”).
7.5/10 (Really Good)
In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. (IMDb)
The significance of the mid-narrative opening scene still isn’t clear as it’s returned to later on, but it’s the only thing that doesn’t connect in this affecting and well-acted (Fassbender is a highlight) period piece. McQueen’s direction is laudably and fittingly unrelenting and inaccessible, with achingly long takes (see Solomon’s tiptoe hanging) and unflinching scenes of violence (see Patsy’s whipping). Bursts of tense music also add emotional nuance to the typical sentimental soundtrack.