Daniel Ocean recruits one more team member so he can pull off three major European heists in this sequel to Ocean’s 11. (IMDb)
The great style from the first film is still present here in the artsy titles, delicious dialogue, and rambunctious soundtrack, but the substance is different: There’s more comedy and humbling mishaps (the Julia Roberts scene is great), but there are also more characters (an overload), and a disappointing lack of actual heists considering the wealth of other plot material that’s jammed in. It’s a bit of a messy story, with a weak climax to boot, but the film still doesn’t fail to entertain.
Danny Ocean and his eleven accomplices plan to rob three Las Vegas casinos simultaneously. (IMDb)
This film would be entertaining enough with just a neat, elaborate heist (which it has), but it takes it up a notch with a steady stream of quick and witty dialogue, smoothly delivered by the effortlessly charismatic Clooney and Pitt, matching the brilliance of their cool schemes punch for punch. The editing is just as slick, with retro slide scene transitions and a chill Vegas-flavoured soundtrack. The “got the girl” ending is the only thing that’s a bit distasteful in this great caper flick.
The U.S. government decides to go after an agro-business giant with a price-fixing accusation, based on the evidence submitted by their star witness, vice president-turned-informant Mark Whitacre. (IMDb)
Damon’s brilliantly-played Mark Whitacre is undoubtedly the highlight here; his fascinating blend of awkwardness, excitability, and sense of self-importance certainly provokes plenty of chuckles, but amidst the film’s quirky, voiceover-laden portrayal of the corporate and legal drama at hand, a serious and intriguing character study eventually emerges too. The film’s oddball editing and cheery orchestral music get a little repetitive but are fun nonetheless in this uniquely entertaining film.
7.5/10 (Really Good)
The slow and brooding nature of the movie is in itself attractive, but it drags down the film when paired with a plot that is consistently difficult to latch onto. Damon is excellent, and his character’s uncomfortable family drama provides some engaging moments, but the central CIA birth-story fails to connect on a character level (despite a good cast) or a story level (despite an intriguing premise), making the film a chore to get through, especially considering its lengthy run time.