Comic caper movie about a plan to steal a gold shipment from the streets of Turin by creating a traffic jam. (IMDb)
Uneven, at best: Paper thin and forgettable characters pepper a mediocre heist plot marked by either awkwardly blatant exposition (see the crew introductions) or virtually none at all (was the winding escape route part of the plan? Who knows)–yet there is some unique camerawork, and a scrumptiously classy soundtrack improves everything it touches (the tedious silent driving scenes later on only emphasize this). An unexpected and amusing cliffhanger ending (literally) ends things on a good note.
A thief, who steals corporate secrets through use of dream-sharing technology, is given the inverse task of planting an idea into the mind of a CEO. (IMDb)
The (literal) levels to which Nolan expounds upon his (literally) mind-bending premise are extraordinary, and his resulting film is nothing short of spectacular, as he (mostly) tactfully exposits his fascinating concepts through two complimentary and converging tracks: One action-oriented and exciting; the other character-focused and emotional. Brilliant cinematography (Arthur’s hotel fight is one highlight), engaging turns, and excellent music decorate this exhilarating and exquisite thriller.
Eight years after the Joker’s reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Catwoman. (IMDb)
The entertainment value here is again sky high, with nary a dull moment; the narrative is wonderfully layered with constant twists and turns at each level. It doesn’t feel quite as deep or dark as its predecessor, and Hardy’s Bane isn’t quite as interesting as Ledger’s Joker (although that was a tough act to follow), but the plot’s new lows of despair for Batman and Gotham, along with the cast additions of Hathaway and Gordon-Levitt, add freshness and help craft for it its own positive identity.
When the menace known as the Joker wreaks havoc and chaos on the people of Gotham, the caped crusader must come to terms with one of the greatest psychological tests of his ability to fight injustice. (IMDb)
A truly riveting movie from beginning to end, never letting up its incredible pace: It’s jam-packed with edge-of-your-seat action (that car chase!), fascinating themes (issues of morality and the human psyche are explored) complex characters (the line between villain and hero is blurred) and captivating performances (you never want to blink when Ledger is on screen), all perfectly complimented by an exciting and epic score. It’s the quintessential superhero movie.
After training with his mentor, Batman begins his war on crime to free the crime-ridden Gotham City from corruption that the Scarecrow and the League of Shadows have cast upon it. (IMDb)
There is the exciting action and fun one-liners common to most superhero movies here, but it is the gritty human feel of the movie that gives it a depth uncommon amongst its genre peers. Intriguing dialogue about justice and morality is weaved throughout an excellent story that does well at balancing a good guy vs. bad guy plot with the fascinating tale of Batman’s “beginning”. The acting and music are also top notch and complete a great film that makes you so excited for the next one.
A fairly run-of-the-mill comedy, but enjoyable nonetheless. The plot is predictable, as is Bullock’s character development, but that doesn’t prevent the latter at least from providing many humourous moments, and a few truly touching ones near the end. Bullock is hilarious, and Caine and Shatner are great to watch as well in this fun film.