After the disappearance of her scientist father, three peculiar beings send Meg, her brother, and her friend to space in order to find him. (IMDb)
The dialogue (nay, the whole movie) is like 99% painfully cheesy exposition (with poor performances to boot), though somehow the opening act set-up still manages to confound and frustrate the viewer completely in its vague, contrived nature (so how does Charles Wallace know all these mysterious people again?). After all the fluffy mysticism of the Mrs. it eventually crafts a nice message about self-acceptance and the power of love over evil, but it’s still so damn cheesy. Pine is good though.
Debbie Ocean gathers an all-female crew to attempt an impossible heist at New York City’s yearly Met Gala. (IMDb)
A great cast of characters led by Bullock’s brazen Debbie (“It’s what I’m good at”), Blanchett’s badass Lou (that strut!), and Hathaway’s hilarious baddie (see her necklace moans) are let down a bit by a less colourful script that too often feels like a tame retread of familiar territory. Still fun though (deflating first twist aside), with some good comedy especially in the post-heist kerfuffle carried by Corden’s earnest insurance agent (“You’ve got two of those!”). Great soundtrack too.
After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions – Joy, Fear, Anger, Disgust and Sadness – conflict on how best to navigate a new city, house, and school. (IMDb)
Numerous creative anthropomorphisms and objectifications of the mind entertain (room of abstract thought), intrigue (the idea of personified emotions controlling another person doesn’t always click but there is lots of potential–see the charming final glimpses into other minds), and move (the pit of forgotten memories, crumbling identity islands). Simple and sweet stories with nice messages on both levels lose a little bit of impact and depth of characterization by having to share screen time.