Call me bewitched but I found this really charming. It doesn’t waste any screen time (love how it introduces the “want to be normal” crisis right off the bat), and the many narrative states (on TV, in real-life, in a dream, in an alternative timeline, under a spell) put a unique twist on the typical romantic arc. Ferrell and Kidman are both engaging in their own way, and the side characters have their moments too (Nina especially: “We could electrocute him. There’s a ton of wires around here”).
The unexpected arrival of a wounded Union soldier at a girls school in Virginia during the American Civil War leads to jealousy and betrayal. (IMDb)
The slow first two acts are a fairly bland main course (colourless cinematography and a lack of music don’t help) but in hindsight they do well in setting up the thrilling third act dessert with its deliciously sinister climax and brilliant cherry-on-top final shot (with ominous score icing): the women played with the polite man until his destructive patriarchal power emerged and threatened, and now the understanding of the titular character(s) is subverted. Kidman’s turn is a chilling standout.
Batman must battle former district attorney Harvey Dent, who is now Two-Face and Edward Nygma, The Riddler with help from an amorous psychologist and a young circus acrobat who becomes his sidekick, Robin. (IMDb)
The dialogue is bad, and aside from Carrey’s typically enjoyable schtick, everything about the baddies is really bad too: the two-villain dynamic is awkward AF (I read afterwards that TLJ hated Carrey on set and you can totally tell), the brain-sucking thing is dumb, and the “useless henchmen” syndrome here is the worst I’ve ever seen. Kilmer’s brooding Batman is good though and the campy action-based plot is fun enough, featuring some cool cinematography (loved those zooms and skewed shots).