The significance of the mid-narrative opening scene still isn’t clear as it’s returned to later on, but it’s the only thing that doesn’t connect in this affecting and well-acted (Fassbender is a highlight) period piece. McQueen’s direction is laudably and fittingly unrelenting and inaccessible, with achingly long takes (see Solomon’s tiptoe hanging) and unflinching scenes of violence (see Patsy’s whipping). Bursts of tense music also add emotional nuance to the typical sentimental soundtrack.
In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy. (IMDb)
Maybe it’s just the two different actors, but the past and future narratives just never really feel like they share the same protagonist, which is a shame, because each story is still strongly engaging in its own right: One showcasing Wilson’s quirky brilliance and burgeoning internal struggles, the other his road to recovery and love from under the thumb of a manipulative psychiatrist, each featuring solid performances, good music, and intentionally artful editing that keeps things interesting.
A family determined to get their young daughter into the finals of a beauty pageant take a cross-country trip in their VW bus. (IMDb)
The excellent opening sequence here gives us an immediate feel for each character, setting the stage for an achingly beautiful and genuine film family portrait with a powerful message of authenticity over perfection. The film epitomizes the dramedy genre; each aspect blends naturally with the other in favour of story and character development instead of cheap laughs and sentimentality, but I’ll never not cry happy tears during the climactic scene of this wonderfully-written and well-acted movie.
#3 on my Top 10 Best Opening Credits/Sequences list