A Hollywood fixer in the 1950s works to keep the studio’s stars in line. (IMDb)
Despite Gambon’s excellent bits of narration and Brolin’s classic-Coen-crazy central day-in-the-life plot thread, Hail, Caesar! still feels more like a series of skits than anything else-some of them bland (DeeAnna’s dilemma is forgettable), many hilarious (see Hobie on the set of Merrily We Dance; McDormand’s outrageous cameo) and entertaining (see Tatum’s song and dance number among the numerous 50s Hollywood tributes), but all of them feeling rather inconsequential by the film’s abrupt end.
Harry, Ron and Hermione search for Voldemort’s remaining Horcruxes in their effort to destroy the Dark Lord as the final battle rages on at Hogwarts. (IMDb)
An epic finale: As the trio returns to Hogwarts only a quarter of the way in the film already has a climactic feel, sustained by a series of cinematically stunning action sequences, with Desplat’s mournful strings adding a tragic beauty to the chaotic proceedings. More notable though, is the series’ emotional apex–the perfectly edited Snape-memory sequence and its devastating aftermath. It raises a few plot-questions but the way it ties the whole saga together is unquestionably affecting.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. (IMDb)
The visuals are so remarkably entrancing and vibrantly varied here (hotels, prisons, mansions, and mountaintops) that you find yourself as excited to see what the next scene looks like as much as what happens in it–and that’s not to say the writing is sub-par: Within a cute 4-tiered narrative, a wild and wacky plot of murder, money, and escape takes place with plenty of quirky characters (Fiennes is fantastic) and well-placed bits of goofiness and expletives that break up the dazzling dialogue.