Very stylish, with great cinematography and a pop soundtrack that perfectly peppers the lavish period-piece setting. Story-wise, the slow opening act intrigues as quiet Marie is made pawn in a publicized political chess match, but the unfocused next two acts fail to generate any momentum. They sit better in out-the-carriage-window hindsight (the forced reign of a teen queen is bound to be messy) but more consistency and depth in the one of the character or plot threads would have been nice.
Just didn’t click this time around. The combination of Jay’s naivety and bravado in the first made for lots of laughs; here, the former is gone and a cocky vet just isn’t as funny as a brash rookie. Kay’s also gone for half the flick, so that doesn’t help. It’s not bad, per se, and there are some good moments (see the locker colony, and the cheeky reveal at the end) but annoying villains, an empty “romance” (I can’t even call it that seriously) and a lame plot linger more than anything else.