Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way. (IMDb)
Artistically, it’s a marvel, with an abundance of creative captures: The talking magazine covers, the sex motion-picture-stills, the stunning nature time-lapses, the bar shot half indoors, half window reflection. Story-wise, it’s a mixed bag: The outsider characters are unique and refreshing (Phoenix shines), but the narrative is choppy and often hard to follow. The Shakespearean second act drags, but the separation of Mike and Scott in the third act is poignant (see the contrasting funerals).
When Dr. Henry Jones Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Indiana Jones must follow in his father’s footsteps and stop the Nazis. (IMDb)
The Grail-quest plot adds a decent dollop of tempered intrigue to the still stellar fast-paced action antics, giving the film a more mature tone than its wacky and wild predecessor, while the opening glimpse into Indy’s childhood and the introduction of his father (their constant bickering and brains vs. brawn dynamic are hilarious–see Connery’s silent look during their motorcycle escape) add some welcome character depth as well as some great humour that goes beyond just one-liners.
After the death of a friend, a writer recounts a boyhood journey to find the body of a missing boy. (IMDb)
A gorgeous nostalgia-drenched boyhood adventure tale that’s more than just loveable characters, slapstick mishaps, and funny one-liners: A remarkable young cast (with a strong supporting turn by a greasy Sutherland) delivering effortlessly natural performances (their retro middle-school banter is golden) brings to life a superb script that puts childhood wonder and imagination next to the adult themes of death and tragedy to create a truly authentic and affecting adolescent character study.