No Country for Old Men (2007)

Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide. (Letterboxd)
Masterfully shot and acted (TLJ’s weary and witty ETB was my fav), with captivating violence and cat-and-mouse thrills, but it’s the film’s unique dramatic framing that really makes it stands out: namely, its perfect bookends (from the reluctant “OK, I’ll be a part of this world” to dreams of warmth and light in “all that dark and all that cold”) and fascinating use of distance throughout (the slow pace, the open landscapes, the lack of interaction between main characters, the removed villain).
8.5/10 (Amazing)

The Ballad of Buster Scruggs (2018)

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An anthology film comprised of six stories, each dealing with a different aspect of life in the Old West. (IMDb)
The discomforting and racist villainous portrayal of “Indians” should’ve been thrown away but the rest of the classic Western potpourri here provide lots of cozy charm (love those songs sprinkled throughout) and frigid chills amidst what is a uniquely curated collection of stories (some delightfully bizarre like the titular tale with its compelling narration and amazing climactic duet; others a bit more plodding and unremarkable) about death and judgment and the diehard American dream.
7/10 (Good)