In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods. (IMDb)
The deadpan delivery of this disturbing dystopia is darkly witty and effectively creepy but starts to wear a little thin near the middle–but then in a brilliant move, the madness reaches its blood-on-the-bathroom-floor pinnacle, someone breaks (emotionally and literally, making a break for it), the pendulum swings, and the weird world is expanded. Strikingly shot and scored, this film raises fascinating questions on relationships and identity. Could’ve done without most of the narration though.