A cyborg, identical to the one who failed to kill Sarah Connor, must now protect her teenage son, John Connor, from a more advanced and powerful cyborg. (IMDb)
It’s a great action movie–the set pieces are thrilling, the slippery villain excellent, the SFX hold up well, and stoic Terminator and badass Sarah make a great one-two punch of heroes (Furlong’s turn is mediocre)–but its mix of searing dystopian sci-fi and raw human emotion (see Sarah’s fantastic narrations: “Of all the would-be fathers who came and went over the years…this machine was the only one who measured up. In an insane world, it was the sanest choice”) make it a great movie, period.
A seemingly indestructible robot is sent from 2029 to 1984 to assassinate a young waitress, whose unborn son will lead humanity in a war against sentient machines, while a human soldier from the same war is sent to protect her at all costs. (IMDb)
A time travel twist, a garish synth soundtrack, and a (literally) robotic Arnold with one-liners galore (see his choice from the “possible responses” to the cleaner) add just the right amount of retro-futuristic flair to an easily engaging chase-thriller. The special effects are pretty dated (see the stop motion robot; fake horizon at the end) but that doesn’t mean the climactic fight isn’t great or the open-ended epilogue isn’t supremely satisfying (“…there’s a storm coming in” “I know”).
7.5/10 (Really Good)