Patient direction, slick dialogue, solid turns, and impeccable production design and cinematography bring forth an engaging if unspectacular first half glimpse into mob life, marred only by de-aged De Niro’s unnerving eyes. The second half really shines though, as friendships/tensions and trust/suspicion grow, the flashbacks catch up to the driving narrative in devastating fashion (see the hotel breakfast convo), and what’s sowed is reaped (see the phone call to Jo; the meaningful final shot).
8
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